A revived lawsuit against Marilyn Manson forces fans to confront an uncomfortable reality: separating the art from the allegations isn’t getting any easier.
Marilyn Manson Lawsuit Gets a Second Life — And Yeah, This One’s Hard to Watch Read Post »
Spoon and The Beths are joining forces for a summer tour that feels like a gift wrapped in fuzz, hooks, and emotional clarity. Spoon proves—again—why they’re one of the most underrated bands in modern rock, while The Beths keep quietly becoming your next favorite obsession.
Rock royalty just sent its heir into the wild. Violet Grohl, daughter of Dave Grohl, has released her first official solo tracks — and the swagger in the room is unmistakable.
Kevin Parker finally ended his five-year disappearing act, dropping Deadbeat — a technicolor blend of vintage rave energy and signature Tame Impala brilliance. The track “Loser” stars Stranger Things’ Joe Keery (aka Steve Harrington with a better haircut), and yes, the vibes are immaculate.
Grammy-nominated alt-rock legends Garbage are wrapping up their final tour, calling out the record industry’s “thievery” for killing the economics of live shows. From Stupid Girl to Only Happy When It Rains, their legacy is undeniable.
Garbage Calls It Quits on Touring — Blames Record Industry “Thievery” Read Post »
Australian indie darlings Royel Otis just announced their 2025 North American “Meet Me in the Car” tour—but after going viral covering other people’s hits, we’re dying to know: what does their own music sound like?
Royel Otis Are Coming to America — But Can They Play Their Own Songs? Read Post »
Linkin Park just dropped a new single and nearly stole the crown… but they were beaten by a ’90s track that’s been clinging to No. 1 like it’s the last song on prom night. Welcome to the wild world of the U.K. rock charts, where Linkin Park’s comeback is alive and well—even if Goo Goo Dolls won this round.
Linkin Park’s New Anthem Gets Snubbed at No. 1… By Iris?! Read Post »
Semisonic just reminded everyone they still exist—by dragging the White House for using their 1998 hit “Closing Time” in a deportation video. The Trump administration, apparently clueless about the song’s meaning, used it in a clip featuring Border Patrol agents sending handcuffed immigrants onto a plane. The band fired back, saying they “did not authorize or condone” its use and that the government “missed the point entirely.” Given that the last time Semisonic was relevant, flip phones were cutting-edge, this could’ve been a rare moment of positive exposure—too bad they had to spend it shutting down political nonsense.
Semisonic: “Closing Time” Is About New Beginnings—Not Deportation Flights Read Post »
